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Archive for August, 2011

This week’s Cultural Cocktail includes a dose of antiquity, a labor-free stroll through LACMA, and one of the world’s greatest violinists

Trojan Women (after Euripides) at the Getty Villa 8:00 P.M.

SITI Company, directed by Anne Bogart and adapted by Jocelyn Clarke. Previews Thursday–Saturday, September 1–3 Performances: Thursdays–Saturdays, September 8–October 1 Getty Villa, Outdoor Classical Theater. For more information call (310) 440-7300 or visit:

http://www.getty.edu/

LACMA FREE Labor Day Monday, September 5th 12 pm

*Free* day at the museum (all day) including a live performance. Tickets required*Does not include free admission to the Tim Burton exhibit or any specially ticketed exhibitions. LACMA• 5905 Wilshire Blvd. LA, CA http://www.lacma.org/

ITZHAK PERLMAN performs Beethoven

Tuesday, Sept. 6, 8:00PM

Hollywood Bowl.

2301 North Highland Avenue. Hollywood, CA 90068. Los Angeles Philharmonic.

Itzhak Perlman, violin/conductor. Beethoven: Two Romances, Symphony No. 8 For more information, call (323).850.2000 or visit: http://www.hollywoodbowl.com/


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Noel Coward’s “Private Lives”– Just How Private?

by Leticia Marie Sanchez

In the International City Theater’s light-hearted production of “Private Lives,” divorced couple Elyot and Amanda cannot seem to live with-or without- each another. Caroline Kinsolving embodied the headstrong, alluring Amanda while Freddy Douglass portrayed the witty, brooding Elyot Chase. The glamorous costumes and music in the ICT production enhanced the accidental reunion of the jet-setting pair in Deauville, France. Elyot and Amanda go from loving each other one minute to throwing barbs (and records) at each other the next. Adam J. Smith‘s sensitive performance as Amanda’s caring second husband Victor infused a dose of integrity to the chaos; despite being ditched by the runaway bride, he returned to ensure her safety. Underneath the veneer of biting wit and tumultuous emotions, one could not help but feel that something was missing- not from ICT’s production- but from Coward’s play itself. Looking at the play from a historical perspective, Mr. Coward was a homosexual at a time in which he would have been jailed had his private life been made public. Had Elyot and Amanda been gay characters, many of the play’s scenes would have made more sense and had more depth. For instance, Elyot’s affectionate young bride, Sibyl (Jennice Butler) begs him three times on their honeymoon to kiss her; he forces himself to do so reluctantly. Later, when accused of being too flippant, Elyot retorts that his flippancy masks deeper emotions. Perhaps the flippancy of Coward’s lines also masked a more complex subtext. But, Coward was no coward. His predecessor Oscar Wilde died in prison when his private life was revealed.  Private Lives proves that in the 1930’s England one could only go so far in exploring the truly private.

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Noel Coward’s “Private Lives

Fri. Aug 26 (Opening Night) + Sat. Aug 27 8pm.

Sun Aug 28 2pm. Directed by Luke Yankee. Featuring Jennice Butler, Wendy Cutler, Freddy Douglas, Caroline Kinsolving, Adam J. Smith. INTERNATIONAL CITY THEATRE Long Beach Performing Arts Center.300 East Ocean Blvd. Long Beach CA 90802 For information on tickets and show times,  For information on tickets and show times, please call (562) 436-4610 or visit: www.InternationalCityTheatre.org  Photo by: C. Delgado

Saturdays off the 405- Getty Museum- party

Sat, Aug. 27 6:00

Music: Charles Bradley and DJ Clifton Free Spotlight after Dark tours in the galleries at 6:00 and 7:00 p.m. Getty Center. 1200 Getty Center Drive. LA, CA. 90049. (310) 440-7300 http://www.getty.edu/

LACMA- Daniel Rothmuller (cello) and Bernadene Blaha (piano)

Sun. August 28 6 pm Chopin: Sonata, Opus 65, and Brahms: Sonata in E minor, Opus 38 Bing Theater.   FREE, no reservations. LACMA• 5905 Wilshire Blvd. LA, CA,

http://www.lacma.org/

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by Leticia Marie Sanchez

Mozart’s Sister, directed by René Féret,  presents a behind-the-scenes look at the life of the Mozart family: ambitious patriarch Leopold, his doting wife Anna-Maria, and his gifted children Woofgang and Nannerl (played by Feret’s daughter, Marie). The film contrasts the exterior aspect of the musical family, including the children’s performances at court with an interior portrait of a family who engages in pillow fights at bed-time, and more sinisterly, the unyielding favoritism that Leopold showed his young son. The rigid Leopold squelches his young daughter’s talents by not only refusing her an education, but by falsely telling her that her compositions (which he passes off as those of Wolfgang) lack merit. The mistreatment of Nannerl was not unusual at the time.  In his book “The Other Mendelssohn,” Larry Todd describes the life of another talented and relatively unknown composer, Fanny Mendelssohn, sister of Felix.

It is fitting that the talented young Nannerl composes pieces in a minor key. Melancholy permeates her character, and the dark cinematography symbolises the shadows to which she is relegated.

A dose of light-hearted Shakespearean cross-dressing adds a dose of intrigue, and Nannerl’s new found chum Princess Louise (played with vivacity by Feret’s real life sister, Lisa) allows a flower of friendship to flourish between two passionate young women confined by the walls of the court, the church, and their fathers.

Photo: Real Life Sisters Lisa Feret and Marie Feret, playing Louise De France and Nannerl Mozart

For trailers and showtimes, please see:

http://trailers.apple.com/trailers/independent/mozartssister/

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This week’s Cultural Cocktail recipe includes two doses of Beethoven blended with Pacific Asia Fusion, and topped with Mozart- not on the rocks, but on the lawn of the Huntington library– enjoy!

Beethoven’s Ninth- Hollywood Bowl

Thurs, August 18, 8:00PM  Los Angeles Philharmonic

Rafael Frühbeck de Burgos, conductor

Jeremy Denk, piano;  Los Angeles Master Chorale

Beethoven’s Ninth and Choral Fantasy

2301 North Highland Ave. Hollywood, CA, 90068. 323.850.2000

http://www.hollywoodbowl.com/

Fusion Fridays-

Pacific Asia Museum

Fri. Aug. 19 7:30-10:30pm

Island Style Grand Finale

Polynesian dance in the courtyard, classic Hawaiian music by Moana in the upstairs lounge.

Free for members, $15 for non-members.

46 North Los Robles Avenue. Pasadena, CA 91101-2071(626) 449-5269

For more information, please visit: http://www.pacificasiamuseum.org/

Southwest Chamber Music Festival

Sat. Aug 20 and Sun. Aug 21- 7:30 p.m

Wolfgang Amadeus Mozart

Quintet for Horn and Strings, K. 407; Wadada Leo Smith

Ten Thousand Cereus Peruvianus for Harp and String Quartet

Mozart: String Quintet No. 6, K. 614

Huntington Library, Art Collections, and Botanical Gardens. 1151 Oxford Road. San Marino, CA, 91108

http://www.swmusic.org/ 

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Only three days after a Rembrandt drawing valued at $250,000 was snatched from the Ritz Carlton in Marina Del Rey, “The Judgement,” turned up mysteriously at St. Nicholas of Myra Episcopal Church in Encino. An assistant priest noticed the drawing placed inside his boss’ office. He assumed that it was a donation by a parishioner before recognizing the work as the stolen Rembrandt.

Questions abound:

Why did the art thief dump the painting in the church? Was it a spiritual crisis of conscience? Or a convenient place without security cameras? Did the title of Rembrandt’s drawing, “The Judgement,” give the thief pause?

How did the art thief get access to the church’s inside office? Did he watch Ben Affleck’s heist-caper “The Town” too many times and don a nun disguise?

Do we know for a fact that the drawing dumped in the church is the real Mc Coy? Could it possibly be a copy to get the police off the criminal’s scent while the thief sells the real painting on the black market to a Rembrandt-loving oligarch? (This is one theory on the current location of Rembrandts stolen from the Isabella Stewart Gardiner Museum)

What happened to the person who “distracted” the curator with art chatter on Saturday at the Ritz, coincidentally at the very moment when the painting was snatched? The articles imply that this person was part of a team? Shouldn’t the loquacious interlocutor be an LAPD “person of interest?”

Why did the thief choose to take a Rembrandt from the sailing haven of Marina Del Rey to Encino? He could have made a seaside escape with his looted booty. Is it possible that the art thief is,in fact, a Valley Boy?

For the LA Times report please read:

http://www.latimes.com/news/local/la-me-0817-rembrandt-20110817,0,716178.story

Photo from LA Times by Irfan Khan: Detectives handle Rembrandt’s “The Judgement”

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According to Katerine Bakeless, in her book “Story Lives of Great Composers,” Jean Sibelius received minor ducats for one of his most famous compositions, Valse Triste. The payment for his work? A small sum and a box of cigars. Meanwhile, Valse Triste went on to be performed internationally, over and over. Yet, Sibelius did not receive one dime of royalties on the work he had composed. Bakeless revealed, “Years afterward, when Sibelius visited America, he remarked to his hostess, with tears in his eyes, that he could have used that money when his family of daughters began to grow up. “(39)

The payment of a box of cigars for the beautiful, dream-like waltz, is, in fact, tres triste.

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